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If you have ever reached the point where the big singles are practically part of your bloodstream, you have probably asked the next natural question: where to find ABBA rarities without falling into a maze of sketchy uploads, muddled track listings and recycled “hidden gems” lists. For many fans, the real thrill starts after Dancing Queen, Waterloo and The Winner Takes It All. It starts when you hear an alternate mix, a forgotten B-side, a live recording with a different energy, or a solo track that reveals another side of the story.
That search can be joyful, but it can also be a little confusing. “Rarity” means different things depending on the fan. For some, it is a non-album single. For others, it is a promo-only version, a foreign language recording, a demo, an outtake, a television performance, or one of those solo recordings that feel like a missing chapter in the ABBA universe. The good news is that there are reliable, fan-friendly ways to go deeper.
The best place to begin is with official releases. That might sound obvious, but it matters because ABBA’s catalogue has been reissued in several waves, and not all editions offer the same value to collectors or curious listeners. Some compilations barely scratch the surface, while others quietly gather excellent non-album material, alternate versions and hard-to-find recordings in one place.
Box sets are often the richest hunting ground. Collections built around the full singles output, deluxe album editions, or career-spanning anthology projects tend to include B-sides, bonus tracks and recordings that casual streaming listeners may never stumble across. If you are looking for a sensible entry point rather than a collector’s marathon, these sets usually offer the clearest route. They also give you proper context, which matters with ABBA. Hearing a rarity in isolation is one thing. Hearing it placed beside the single it supported, or within the era it came from, makes it land differently.
Deluxe reissues can be especially rewarding if you already have a favourite album. Some fans arrive through Arrival, others through Super Trouper or The Visitors. Expanded editions often include period extras, and even when the bonus material is uneven, it tells you something about the group’s working methods and musical direction. Not every outtake is a lost masterpiece. Some are fascinating because they are incomplete, transitional or slightly odd. That is part of the appeal.
Streaming services can help, but they are not the whole answer. You will find selected bonus tracks, compilations and solo material, yet licensing can vary by country and by release. A track available in one territory might be absent in another, and metadata is not always tidy. Songs can appear under different compilations, with different cover art, making it harder than it should be to tell whether you have found something genuinely rare or simply repackaged.
That is where specialist fan platforms become useful. A dedicated space such as ABBAradio.com can make discovery feel less like admin and more like enjoyment, because rarity is presented as part of a living listening experience rather than a cold database exercise. For many fans, hearing a deeper cut woven naturally into a curated stream is what sends them off to investigate an era, a single, or a solo project in more detail.
If you prefer physical media, record fairs and trusted second-hand shops still have real value. ABBA were global, which means the same song could appear in different formats across different markets. Picture sleeves, promo pressings and territory-specific releases can be exciting to track down, especially if you enjoy the tactile side of collecting. The trade-off is price. The scarcer the item and the better the condition, the more likely it is to test your wallet.
Online marketplaces are another obvious route, but they demand caution. Listings are not always precise, and words like “rare” are thrown around with great enthusiasm and not much discipline. Before buying, it helps to know catalogue numbers, release years and whether a supposed rarity was actually part of a fairly common reissue campaign. In other words, a bit of homework saves disappointment.
Discography-based fan communities can be invaluable here. Long-time ABBA collectors are often brilliant at separating genuine obscurities from expensive clutter. They also tend to know which releases sound best, which editions are incomplete, and which tracks have later surfaced elsewhere in better quality. If you are just getting started, this shared knowledge is gold.
Broadcast archives and television performances are another rich corner of the hunt. Some of ABBA’s most memorable rarities are not studio tracks at all, but performances captured for TV specials, promotional appearances or live sessions. These are especially appealing if you love hearing how songs changed in arrangement, vocal feel or atmosphere outside the polished album versions. Availability varies, of course. Some clips circulate widely, while others remain elusive or tied to particular archival releases.
Part of the fun is deciding that for yourself. The straightforward category includes B-sides, non-album tracks and alternate versions. These are the pieces most listeners miss if they stick to standard greatest hits collections. Then there are songs recorded in different languages, which can feel both familiar and wonderfully fresh.
After that, things get more subjective. Demos and unfinished tracks are rarities, yes, but they are not always easy listening. Sometimes they are thrilling because you can hear a melody taking shape. Sometimes they are mostly for the devoted. The same goes for remixes and edits. A rare version is not automatically the best version. Plenty of fans are happier with a strong B-side than with a studio fragment that is interesting mainly as musical archaeology.
Solo recordings from Agnetha, Björn, Benny and Frida also belong in this conversation. Not every solo track is an ABBA rarity in the strictest sense, but for fans building a fuller picture of the creative world around the group, they absolutely matter. Some songs feel like side paths. Others feel like emotional companions to the main catalogue. If you have never followed the solo years, you may find that this is where the rabbit hole really opens up.
The smartest approach is to follow eras rather than random track names. Start with an album period you love, then look at the singles from that time, the B-sides attached to them, promotional versions, TV performances and related solo work. This keeps the search enjoyable and stops it becoming a scattergun exercise.
It also helps to decide what kind of rarity excites you most. If you love polished studio material, concentrate on non-album tracks and official alternate mixes. If you are fascinated by process, then demos and session fragments may be your thing. If nostalgia is your main driver, televised performances and live recordings often deliver the strongest emotional pull.
Be prepared for a few false starts. Some “rare” tracks have legendary status simply because they were hard to get hold of for years, not because they are better than album favourites. Others are quietly brilliant and never seem to get mentioned enough. That unevenness is part of collecting. It is also what makes the discoveries personal.
ABBA rarities are not just about ticking off obscure titles. They are about hearing familiar voices from a slightly different angle. A B-side can reveal a playful mood that never made it onto a major album. A solo track can show where one member’s instincts led outside the group dynamic. A live recording can remind you that behind the immaculate studio sheen were musicians and singers making split-second choices in the moment.
For long-time fans, this kind of listening keeps the catalogue alive. For newer listeners, it turns admiration into connection. Suddenly ABBA stop being a greatest hits monument and become a working, evolving creative story full of detours, experiments and little surprises.
So if you are wondering where to find ABBA rarities, start with official expanded releases, use specialist fan knowledge, treat online listings with care, and give yourself permission to follow curiosity rather than completion. The best finds are often the ones you were not hunting for at all – the song that arrives unexpectedly and makes you feel as though you have just been let in on a secret the music has been keeping for years.
Written by: Bert | webmaster
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